Wednesday, 11 December 2013

Featured Photograph for December

I'm a little late posting my featured photograph this month - the result of a busy two weeks which included a couple of short talks for Wilmslow Guild Photographic Society and judging a competition at Frodsham & District Photographic Society. In both cases I got out alive and I am going to consider that a result.

My photograph for December was taken this time last year and is of one of the finest buildings there is (imho), Liverpool Cathedral. I had taken my youngest daughter into Liverpool to seek out architectural subjects for her A Level Photography project and this was top of the list. It is a truly magnificent building and is also where my graduation ceremony was held.

They even let you use your tripod!

I suspect I won't get around to posting again before the new year so I wish everyone reading this a very happy Christmas!

Friday, 8 November 2013

Featured Photograph for November


It seems I wasn't the greatest talent to emerge from my school:


DULCE ET DECORUM EST

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.

Gas! Gas! Quick, boys! – An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime . . .
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud 
Of vile, incurable sores on innocent tongues,
My friend, you would not tell with such high zest 
To children ardent for some desperate glory,
The old Lie; Dulce et Decorum est
Pro patria mori.

Wilfred Owen

8 October 1917 - March, 1918

Saturday, 19 October 2013

When in Rome

It must have been around this time 16 years ago that J and I began planning a city break to mark our 10th wedding anniversary the following year. At the time, I was desperate to go to Rome but J's preference was New York and she won out. As it happens, we celebrated a year late, our original plans being scuppered by my catching chicken pox off the girls (a not very pleasant experience in your 30's and, thankfully, not something we have photographic reminders of); we loved New York and have been back a number of times since but, until this year, we had never visited Rome.

We finally made the trip in September using my Dad's 80th Birthday as an excuse - it was one of the few places that he and my Mum had always said they would go back to (my Mum being a great one for 'been there, done that, now onto something new'). I have to say that I wasn't disappointed, except, perhaps for the crowds which where crazy at times. I would certainly like to go back at a quieter time and explore a bit more.

In the past, such a trip would lead to all sorts of photographic anxiety caused by the difficult decision of what to take with me but, now I have the Fujifilm XE-1, it's a much easier question to answer; I just took that camera, 35mm and 18mm lenses and my compact carbon fibre tripod (3 Legged Thing Brian). The tripod was specifically intended for sunset/dusk conditions and so, most of the time, I carried only the camera and the two lenses - perfect for walking around a city.

I had hoped to come back with lots of really interesting street photographs but the reality was that my Dad had to come first and, of course, there were sights to see. Also, if I'm honest, I still don't know whether I properly 'get' that kind of photography yet; for me, it is a work in progress. What I have come back with is a bit of a mix but mostly what L&CPU judges would typically refer to as 'record shosts'. Even so, I thought I would share ten of my favourite photographs/places from the trip.

1. Our first afternoon in Rome was a little mixed. I'm not sure what I expected to find but it certainly wasn't the kind of mad crowds we encountered (it's a capital city - d'oh!). After depositing our cases, we headed for the Spanish Steps which are, well, steps really; they are very grand steps but I'm not sure I get what all the fuss is about. We then wandered around taking in the Trevi Fountain (which certainly is impressive) and battling the crowds again, before taking in some of the quieter back streets. Meandering around these back streets, we finally started to relax and really take in our surroundings and I took this photograph while resting in a peaceful square only a stones throw away from the hoards.

2. Our hotel was a 15 minute metro ride from the centre of Rome. It was a really nice hotel and excellent value but, of course, meant we used the Metro a fair bit - no great hardship as it is clean and efficient. The hotel was on line A which, bizarrely, appears to be the newer of the two lines. The picture above is of a train on line B when we were headed to the Coliseum. We had to change lines at the main station (Terminii) and had taken heed of the guide book's warnings of pickpockets and bag snatchers who like to operate there; just as well - an apparently well practised gang of respectable looking young women made an attempt to part J of her belongings on our return journey (J was ready for it fortunately and barged past them). This was the only bad experience we had on the Metro and we enjoyed using it otherwise.

3. The Coliseum is a sight to behold, as is the Forum. However, they are, of course, very popular and so we really appreciated the relative peace of the third site in the grouping, the Palatino. Your ticket gives you entry to all three sites but, I suspect a lot of people don't bother with the lesser known Palatino yet it has it's own impressive ruins as well as wonderful views down to the Forum as you descend. The photograph is of a modern art installation situated in the main arena. I was taken by it as it was but it made for a much more interesting photograph when the children began to interact with it. I stayed here for a while in the hope of getting a good balance and am pretty happy with the result. My Dad is deeply unimpressed by things like this and went off to find a bench to rest on while I was occupied.

4. I only took my tripod out on one evening and I knew I wanted to do something at the river, but I wasn't exactly sure what. I knew the Pont St.Angelo is a popular spot so we headed there only to find it heaving with tat sellers, buskers and beggars; not exactly what I was hoping for. However, it was immediately obvious what the picture should be (another d'oh! moment). I know there is nothing original about this scene but I am still very happy with it and it makes a beautiful print. Looking at this, I can almost forget the chaos around me on the bridge at the time.

5. Some major sights can fail to live up to your expectations but that's not generally the case in Rome (except, perhaps the Spanish Steps for me); St. Peter's Basilica certainly does not fail. It is truly magnificent! There is architectural magnificence wherever you turn and I now have a load of, probably very unoriginal, photographs of the interior (more record shots). I think I should probably find a way of using them creatively but, for now, here is one of the stunning dome. As an aside, I am very pleased with how well the XE-1 coped with these low light but high contrast images; the dynamic range of the sensor is very impressive.

6. The Vatican Museums were a bit of mixed bag; another example of extreme crowds which made moving around and viewing anything very uncomfortable; particularly the Sistine Chapel in which, although amazing, I was reminded of the mice in Wallace & Gromit's 'Grand Day Out' - crowded together, staring upwards. There was one place where the crowds thinned and that was in the Map Gallery, a 120m long gallery hung with forty huge maps created between 1580 and 1583. I love maps so this was perfect; I was able to spend time admiring the detail.

7. Our final full day began with a slightly longer than usual metro trip to the Basilica San Giovanni in Laterano. It was the first Christian basilica to be built in Rome and was, for a time, the Pope's main place of worship. It is also clearly not as well known or visited as many other sights but it deserves to be. Although on the whole much more modest than St.Peter's, the nave and alter are breathtaking.

8. While we were in the Basilica San Giovanni, a group of workers arrived to change some light bulbs. They had a cart which transformed into an enormous ladder which one brave man (or perhaps he drew the short straw) climbed up. Coming from a society in which health and safety considerations are paramount, I was struck by a number of things; they clearly couldn't rest the ladder on the facade so it waved precariously as he ascended, he had no safety ropes (although what he could rope himself to I have no idea) and no attempt was made to clear the area beyond dropping a couple of cones on the floor. I only wish I'd had an even wider lens to show just how high up he was (should have thought of stitching a couple of pictures together).

9. The final major sight of our visit was the Pantheon. It was a bit of a trek for my poor old Dad but well worth the effort. I know this will sound stupid but it just looks so very old and is another example of incredible engineering for the time - 2000 years old with the World's largest un-reinforced concrete dome. It also presented a major challenge for the camera in terms of contrast, the bright, midday sun pouring in through the oculus.

10. After we'd been to the Pantheon and had a delicious sandwich from a nearby bakery, we decided it was time for an ice-cream and I was determined that we should find Giolitti, Rome's most famous gelateria. Roman Holiday is one of my favourite films so once I realised that was where Audrey Hepburn and Gregory Peck had stopped, I had to pay homage. The photograph was taken in one of the side streets around the corner from Giolitti and just says 'Rome' to me; the classic Fiat 500 in front of the peeling coloured walls. I would have liked to allow more space in front of the car but the doorway was just too messy.


Thursday, 3 October 2013

Featured Photograph for October

October is probably my favourite month. The days are starting to get shorter; something most people tend to dislike but for me it means sunrise comes back into play (you can only do so many 4am starts before they begin to lose their appeal) - and then there is all that 'mists and mellow fruitfulness'. Unsurprisingly though, the greatest attraction is the glorious colour.

This month's featured photograph shows the River Dochart at Killin with Inchbuie, the ancient burial ground of the Clan Macnab, ablaze with colour and living up to the Gaelic translation of 'yellow island'. I gather it is possible to go into the burial ground, the key to the gate being held in Killin library; I desperately wanted to explore but, sadly, there wasn't time and this has now been added to my list of 'places to return to'.


Prints are available from my website : www.landscapeandlight.co.uk

Wednesday, 11 September 2013

Featured Photograph for September

My featured photograph for this month was taken just three days ago in Rome and is dedicated to the very friendly New York based Bulgarian we met on the Pont St.Angelo (pictured). Like me, he had gone to the bridge to photograph the view towards St.Peter's Basilica but, while he intended to wait for dusk, I was planning to put eating with my family first (they might add 'for once'). While we chatted, he mentioned there was a good spot under the next bridge along, looking back towards the Pont St.Angelo and the castle and that is the scene you see here. We did leave the bridge before dusk but ended up at a restaurant just over the road and the draw of the photograph proved just too great for me; I quickly told J what to order for me and excused myself for ten minutes. It was a humid evening and jogging down to the next bridge and back left me uncomfortably sweaty but it was well worth the effort. I have to credit my new friend for his selfless suggestion.

Before returning to my family and the waiting beer, I also managed a quick visit back to the Pont St.Angelo where I took the following photograph:

It's hardly surprising that, in the time we were there, we saw four different wedding couples being photographed in front of this scene - the only downside being the plethora of street sellers selling tat and the cheesy violinist playing Beatles songs.








Tuesday, 3 September 2013

New Website

For many years now, I have hosted my website using Clikpic and I would recommend them to anyone looking for an easy way to build a site. However, I have now switched to Smugmug and my new site is live. The content hasn't changed greatly from the previous website but I am happier with the appearance and Smugmug have eliminated the issues which used to make their templates so difficult to work with. I'm happy but I will be happier still if you go and have a look.


Monday, 26 August 2013

From Genesis to Revelations

A couple of things have led to this post; firstly, as you may have noticed from the last entry, I have been going through my back catalogue to see if I've overlooked any files with potential. Secondly, I've just returned from a couple of days in London where I took in Sabastiao Salgado's 'Genesis' exhibition. For this, I have to be thankful for a day of truly miserable weather; being a family outing, there is little doubt that a nice day would have meant seeing the sights. As it was, we looked for somewhere to get shelter and the Natural History Museum was my choice and not for unselfish reasons - I have long wanted to see Salgado's work in the flesh.

The exhibition was worth every penny of the £10 admission and I would urge everyone to see it although, sadly, it is only on until 8th September. We spend so much time viewing photographs on a screen these days that it is easy to forget just how much better it is to see a really well produced, large print and these were some of the finest I have ever seen - certainly some of the most impressive black and white prints. It is certainly true that Salgado has spent time in some amazing landscapes but that isn't the only reason why the prints held me spellbound.

And so it is that I have started looking specifically for images which might make a decent black and white picture. Of course, there is a world of difference between my pictures and his but maybe I can come up with something that makes a nice print of my own. I certainly realise there is a lot more work required to make a print sing the way his did but I'm going to try. The proof will be in the print.


Prints are available from my website : www.landscapeandlight.co.uk